Non ephemeral port poster8/20/2023 The poster: art, advertising, design, and collecting, 1860s–1900s / Ruth E. Library of Congress Cataloging-in-Publication Data Iskin, Ruth. For permission to reproduce any of the material in this book, contact Permissions, University Press of New England, One Court Street, Suite 250, Lebanon NH 03766 or visit This book was published with the support of the Israel Science Foundation. Iskin All rights reserved Manufactured in the United States of America Designed by April Leidig Typeset in Garamond Premier Pro by Copperline Book Services, Inc. ISKIN Dartmouth College Press | Hanover, New Hampshire Dartmouth College Press An imprint of University Press of New England © 2014 Ruth E. McTighe, Framed Spaces: Photography and Memory in Contemporary Installation Art Eric Gordon, The Urban Spectator: American Concept-Cities from Kodak to Google T POSTER t the art, advertising, design, and collec ting, 186 0s –19 0 0s RUTH E. Hoberman, Bridge of Light: Yiddish Film between Two Worlds, updated and expanded edition Bernd Herzogenrath, ed., Travels in Intermedia: ReBlurring the Boundaries Erina Duganne, The Self in Black and White: Race and Subjectivity in Postwar American Photography Monica E. Anderson, Technologies of History: Visual Media and the Eccentricity of the Past Alessandra Raengo, On the Sleeve of the Visual: Race as Face Value Frazer Ward, No Innocent Bystanders: Performance Art and Audience Timothy Scott Barker, Time and the Digital: Connecting Technology, Aesthetics, and a Process Philosophy of Time Dorothée Brill, Shock and the Senseless in Dada and Fluxus Janine Mileaf, Please Touch: Dada and Surrealist Objects after the Readymade J. hoogland, A Violent Embrace: Art and Aesthetics after Representation Steve F. Edwards, The Maltese Touch of Evil: Film Noir and Potential Criticism renée c. Dietrich, eds., The Educated Eye: Visual Culture and Pedagogy in the Life Sciences Heidi Rae Cooley, Finding Augusta: Habits of Mobility and Governance in the Digital Era Shannon Clute and Richard L. Iskin, The Poster: Art, Advertising, Design, and Collecting, 1860s–1900s Alison Trope, Stardust Monuments: The Saving and Selling of Hollywood Heather Warren-Crow, Girlhood and the Plastic Image Nancy Anderson and Michael R. For a complete list of books that are available in the series, visit Ruth E. This series brings together approaches to visual culture - broadly conceived - that assess these dynamics critically and that break new ground in understanding their effects and implications. These have resulted in a trans-disciplinary fascination with all things visual, from “high” to “low,” and from esoteric to popular. Its impetus derives from the increasing importance of visual signs in everyday life, and from the rapid expansion of what are termed “new media.” The broad cultural and social dynamics attendant to these developments present new challenges and opportunities across and within the disciplines. Randolph, Dartmouth College This series, sponsored by Dartmouth College Press, develops and promotes the study of visual culture from a variety of critical and methodological perspectives. T THE POSTER Interfaces: Studies in Visual Culture Editors Mark J. 8 | The Iconophile’s Collecting: Posters as an Ephemeral Archaeology of Modernity. 7 | The Poster at the Origins of the Age of Spectacle: The Rise of the Image and Modern Iconophobia. 6 | Poster Design: The Dialogics of Image and Word. PART III: The Poster as Design and Advertising. 4 | Les Maîtres de l’Affiche: Aura and Reproduction. 3 | The Color Print: Art in the Age of Lithography. Part II: The Poster and Print: Reproduction and Consecration. 2 | Toulouse-Lautrec, Jane Avril, and the Iconography of the Female Print Connoisseur in Posters. 1 | The Poster's Place in Modernism: Art and Mass Media in the 1890s. Introduction: The Poster at a Crossroads.
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